Sergio Rodrigues, Brazil, 1968
Set of Twelve Chairs
Wood and leather
© 2025 Artists Rights Society (ARS), New York / AUTVIS, Sao Paulo
31.5" (H) x 20.47" (W) x 18.9" (D)
CH1392
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Sergio Rodrigues, Brazil, c. 1960
Alex Dining Table.
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Rosewood and laminate
© 2024 Artists Rights Society (ARS), New York / AUTVIS, Sao Paulo. -
Joaquim Tenreiro, Brazil, c. 1950
Daybed
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Wood and metal with Artemis fabric designed by Chapas Textiles and upholstered by Jouffre
Designed for a private commission in the Copacabana neighborhood of Rio de Janeiro, Brazil -
Sergio Rodrigues, Brazil, 1962
Vronka
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Lounge Chair
Rosewood and leather
Shortly after starting the architecture program at the University of Brazil (now the Federal University of Rio de Janeiro), Sergio Rodrigues found a passion for interior design. After graduating, he began designing his own furniture, and by the 1960s, had a thriving business. The Vronka armchair was designed in 1962 for his Meia Pataca line, which Rodrigues created aiming for a broader client base. While admirable, his architecture remains overshadowed by his prolific furniture design career.
© 2024 Artists Rights Society (ARS), New York / AUTVIS, Sao Paulo. -
Carlo Hauner, Brazil, c. 1952
Lounge Chair
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Made by Forma
Upholstery and wood -
Joaquim Tenreiro, Brazil, c. 1954
Chair
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Wood and upholstery
From an estate in Cataguases, Minas Gerais, Brazil
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Lina Bo Bardi, Marcelo Ferraz, and Marcelo Suzuki, Brazil, 1987
Frei Egídio
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1987
Tauari wood
Prototype
Lina Bo Bardi used to say that she did not design furniture for its own sake, but made exceptions when the piece would help to complete a project. The Frei Egidio chair was designed with Marcelo Ferraz and Marcelo Suzuki for a theater in Bahia, inspired by an Italian Renaissance folding chair they used when working at Bo Bardi's Glass House. In the theater setting, this shape allowed viewers to place their chairs anywhere they wanted or as the play demanded. -
Joaquim Tenreiro, Brazil, 1965
Dining table
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Rosewood -
Joaquim Tenreiro, Brazil, 1950s
Chest
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Rosewood