Rogan Gregory, 2010s, USA
Unique sculptural chair in gypsum. Designed and made by Rogan Gregory, USA.
21" L x 20" W x 34" H
40cm L x 39.4cm W x 74.3cm H
CH1251
More from chairs
-
Joaquim Tenreiro, Brazil, 1960s
Pair of chairs in jacarandá (rosewood) with curved back and cane seat. Designed by Joaquim Tenreiro, Brazil, 1960s.
... -
Gianni Pettena, Italy, 1971
Set of four (4) "Wearable Chairs" in plywood and cotton strapping. Designed and made by Gianni Pettena, Italy, 1971.
... -
Joyce Lin, USA, 2019
Unique "Egg Chair" in spray foam, plywood, body filler, and enamel paint. Designed and made by Joyce Lin, USA, 2019.
... -
Verner Panton, Denmark, c. 1959
Verner Panton. Rare Modular chair. Designed 1959. Manufactured by Plus-Linje, Denmark. Chrome-plated steel tubing and later upholstery.
... -
Joaquim Tenreiro, Brazil
Set of eight (8) dining chairs in wood and leather. Designed by Joaquim Tenreiro, Brazil.
... -
Verner Panton, Denmark, 1956
Pair of S-chairs, model 276. Designed 1956, these examples manufactured ca. 1965. Manufactured by A. Sommer, Germany. Retailed by Thonet, Frankenberg, Germany. Aniline-dyed beech plywood.
... -
Hans Wegner Denmark, c. 1955
"Swivel" Desk Chair in teak, chromium-plated metal, and original leather. Designed by Hans Wegner and manufactured by Johannes Hansen, Denmark, ca. 1955.
... -
Joaquim Tenreiro, Brazil, circa 1947
Cadeira de Três Pés (Three-legged chair) made with Rosewood, Imbuia, Ivorywood, Roxigno, and Amendoim, bonded laminated frame with solid lathed joints and legs. Designed by Joaquim Tenreiro, Brazil, circa 1947.
...
A feat of craftsmanship, Joaquim Tenreiro's three-legged chair bears the hallmarks of his modernist approach to form and strict material principles. The model was constructed in variants with two, three, four, and five different kinds of wood, which required a deep knowledge of craftsmanship and intimacy with the way different species behave
under varying environmental and technical circumstances. What differentiates Tenreiro from many of his contemporaries is that he was both a designer and a master craftsman. Because he was a designer, Tenreiro understood the history of the field. The shape of this chair references an art deco slipper chair, while the vertical lines going upward evoke such movement that one even thinks of streamlining. At the same time, the carving of the chair creates perfect ergonomics while also pushing materials to their limits, something only a true maker could achieve.