Joaquim Tenreiro, Brazil, 1950s
Credenza
Rosewood
30.25" (H) x 70.75" (W) x 17.75" (D)
CR244
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José Zanine Caldas, Brazil, c.1950
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Joaquim Tenreiro, Brazil, 1950s
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Wood, laminate, and wrought iron
In addition to his mastery of hardwoods, Tenreiro also experimented with other materials, as in this bar with a Formica top (which began to be produced in Brazil in 1950), that he paired with wrought iron stools. These pieces were one-offs made for private commissions for the carioca population, as the people from Rio are called. -
Joaquim Tenreiro, Brazil, c. 1950
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Wood and metal with Artemis fabric designed by Chapas Textiles and upholstered by Jouffre
Designed for a private commission in the Copacabana neighborhood of Rio de Janeiro, Brazil -
Joaquim Tenreiro, Brazil, 1958
Dining table
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Joaquim Tenreiro, Brazil, 1942
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Sérgio Rodrigues, Brazil, 1968
Set of Sixteen Chairs
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© 2024 Artists Rights Society (ARS), New York / AUTVIS, Sao Paulo. -
Jose Zanine Caldas, Brazil, 1963-7
Namoradeira
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Pequi wood
From the 1960s onwards, Jose Zanine Caldas incorporated scraps from deforestation to create what he called “Protest Furniture.” For his iconic masterwork, the “Namoradeira,” or “Tete-a-Tete,” Zanine uses a large section of a felled tree to translate the nineteenth-century French form into the twentieth-century Brazilian design lexicon. Though Zanine carved the “dating chair” from a massive log, the rounded base allows the users to rock back and forth, reinforcing the light, social function of the piece.